Begin with two
Listen to a small, contrasting set. Type or write what you hear without consulting a chart.
Beginner path · recognition first
The Koch method teaches a few characters at full character speed, then expands the set as your ears become dependable. You learn each character as a complete sound—not as a picture or a count of dits and dahs.
Public trainer · no account required for practice
Practical progression
Character speed stays high enough to preserve the real rhythm. Difficulty grows by widening the character set, not by stretching each sound beyond recognition.
Listen to a small, contrasting set. Type or write what you hear without consulting a chart.
Use comfortable extra spacing if needed, but hear each character as one compact sound.
Repeat short sessions until recognition is steady, including after mistakes and pauses.
Introduce the next character, accept a temporary accuracy dip, and rebuild the mix.
What to listen for
Notice the whole timing envelope: how a character begins, where its rhythm turns, and how it ends. Similar pairs become easier when you compare their complete sound shapes.
FAQ
It introduces a small set at the intended character speed, then adds characters one at a time after copy is reliable.
Usually no. Brisk characters encourage recognition of a single sound pattern instead of element counting.
Add one after the current set is consistently recognisable across several short sessions, not one lucky run.
Yes. Koch chooses the character set; Farnsworth adds spacing between otherwise brisk characters.